Rein Raud

2019: Summary

This year, I received the National Research Award in the Humanities for Meaning in Action, "The Reconstruction" was published in Latvian and Albanian, and two books appeared in which I had had a hand: a collection of poetry by Nelly Sachs in Estonian translation, as well as a collection of essays entitled "Reality and Social Constructions", by eleven authors, who looked at the topic from various conflicting angles.
Rekonstruktsioon albaania k
In February I travelled to the Vilnius Book Fair, where the Lithuanian translation of Practices of Selfhood was launched, and in November I took part in the Toronto International Festival of Authors, participating in a panel discussion with Mona Awad and Benedek Totth, as well as in a reading of European authors. The visit to Canada was also a good occasion to talk to the numerous Estonian community in Toronto, many members of whom follow the cultural life of Estonia with great interest.
I was also invited by Tōyō University in Tōkyō to give a keynote speech at a meeting
Tegelikkus ja konstruktsioonid
dedicated to the thought of Inoue Enryō, one of Japan's first comparative philosophers and the developer of a unique Philosophy Park in the outskirts of Japan's capital. Two trips to Leipzig and Berlin were also on the agenda, to launch the German translation of Karl Ristikivi's "The Night of the Souls", to which I had written an afterword.
One thing that needs special mention is the adaptation of Shakespeare's "The Taming of the Shrew" that I did for the NUKU theatre in Tallinn, for Merja Pöyhönen, a Finnish director who has done several production of Shakespeare for puppet theatre before, and with Rosita Raud doing the puppets and scenography. That was a wild ride, and the production ended up a success both with the critics and the audience, and I learned a lot both about Shakespeare and contemporary theatre in the process.
Most of the year nonetheless went by in relative peace and quiet, as I was working on a monograph on Asian worldviews, due to appear from Wiley-Blackwell in 2020.

2018: Summary

This year saw the publication of my latest novel, The Last One Out, as well as quite a few translations of my earlier work: "Practices of Selfhood" appeared in Portuguese, translated by Carlos Alberto Medeiros and published by Zahar, one of the most respectable publishing houses in Brazil, as well as in Turkish, translated by Mehmet Ekinci,
at the Ayrinti publishing house in Istanbul, famous for its uncompromising commitment to pluralistic left-liberal values. "Meaning in Action" was published in Estonian and continued to receive enthusiastic reviews internationally. "The Minotaur", a play originally published in 1988, appeared in English in a volume dedicated to the work of the Lithuanian artist Dainius Liškevičius, in part inspired by my writing. "The Death of the Perfect Sentence" appeared in Russian and also made it to the longlist of the International Dublin Literary Award, together with such authors as Arundhati Roy, Daniel Kehlmann, Jenny Erpenbeck, Jennifer Egan, John Banville, Roddy Doyle, Paul Auster, Richard Flanagan and Salman Rushdie, to name but a few.
I have also done quite a bit of academic work - appearing on conferences of the Society of Asian and Contemporary Philosophy in Krakow, the European Network of Japanese Philosophy in Hildesheim as well as spending a couple some time as a visiting professor at the University of Tokyo, delivering guest lectures at the Kyoto University and the Meiji University in the process. I was also one of the guests of the Poetry Spring in Vilnius, a wonderful festival with a chance to meet other poets from all around the world.
But the main event of the year was without any doubt the London Book Fair, where I was one of the four Estonian wri
ters to represent Estonia, which was the market focus country this year, together with Latvia and Lithuania. This meant a lot of public talks and discussions with Baltic and British colleagues at the venue, as well as a nice evening talk together with David Szalay at the Daunt Books. Immediately after the London Book Fair, Estonian literature took over the fabulous Print Room at the Coronet, Notting Hill, for a series of events featuring many prominent Estonian authors, including my talk with Tony White.

2017: Summary

In addition to The Bell and The Hammer, this year saw the publication of two further books by me. The first of these is a textbook on world literature for Estonian high schools, and by "world" I mean world. It was my condition when I undertook this work that I will not have to restrict myself to the official school programme, which contained the names of 40 authors, all male, all but one white. The book is thus quite different than what is normally published under
such a title: it obviously covers the development of Western literatures, but also the Islamic world, the Indian subcontinent, China and Japan. I have also tried to show how the different parts of the world have influenced each other throughout ages - how, for example, Indian narratives have appeared in Western lore (mediated through Iran), or how Western love poetry owes much of its spirit to Arabic models. And, of course, there are chapters documenting the role of women authors around the world as well. The early phases of Estonian literature are also a part of this book, and these, too, I have tried to put into a broader context, for example, by letting the students know that the Young Estonia literary group established in the early years of the 20th century was not a local phenomenon, but very much a part of a broader trend originating in Young Italy, Young Germany and many others. I hope that the schools using this book will actually discuss all the chapters and not only those that are more pertinent to the official programme.
The other book published this year is a translation of poems by Kestutis Navakas, a very interesting Lithuanian author.
Kala peeglis
I've had the collection entitled 100two (with 102 poems in it) on my shelf since it appeared in 2013, but never got around to read it until this year. Eerily beautiful, rhythmically challenging, with images mingling throughout the book, it is one of the best poetic contemporary books of poetry that I have read over the recent years. A few translations soon grew into a volume, which contains about half of the collection and a talk we had. It is entitled A Fish in the Mirror, after a few lines from the first poem.
Several new translations of my own work appeared as well: The Reconstruction in English and Lithuanian, The Death of the Perfect Sentence in English and Latvian. I also appeared at the Vilnius Book Fair and the first European Literature Festival in Tokyo. There I had the opportunity to discuss my work with Prof.Mitsuyoshi Numano from the University of Tokyo as well as the honour of doing the European keynote speech, followed by the Japanese keynote speech by the poet, world-traveller and anthologist Natsuki Ikezawa.
Academically, most of this year was spent in the Free University of Berlin as a guest professor. In Berlin I also organised a philosophy workshop under the title of "Old solutions, new problems", where we discussed the ways how the challenges of the present - from climate change and the emergence of artificial intelligence to post-truth - can be analysed in the context of well-forgotten old philosophical arguments and debates. The "meeting of philosophies" of last year also turned out to be a first in a (hopefully longer) series: a second event of the same kind was organised by Dr.Chiara Robbiano in Utrecht to a great success. And - last but not least - this was also the year of the European Association of Japanese Studies triennial conference, this time in Lisbon, and with more than a thousand participants. For me, it was the last one where I was a part of the organising committee as the Immediate Past President of the organisation.

2016: Summary

In addition to Meaning in Action, a summary of years of research on cultural theory, I published a poetry collection entitled The Heavy Boots of Dreambirds, my fifth. There had been a rather long pause before this one, as my last poetry collection, Two Candles, had come out already in 1990. When I now look back to my first four books of poetry, I'd probably retain a few poems from each, but on the whole I don't think of them very highly. I started to write poetry again during a time that I had more peace and quiet than usual and took to translating some of my favourite authors (e.e.cummings, William Carlos Williams, Paul Celan). Somehow they managed to wake the poet up in me, even though what I write is not similar to any of them, as they aren't to each other.
I wanted the book to be a bit like a notebook on the one hand - a bit like the one I used for writing the poems down - but also a book of which individual readers have to cut the pages open themselves, so that the process of getting closer to the text would be experienced as an act. So I was really
happy to read what Doris Kareva wrote about it: "The Heavy Boots of Dreambirds is one of those books that I read for many times, and just for the sake of interest from three different copies, which I opened with three different blades, differently each time. I wanted to know whether such a ritual might somehow influence the reading. It does, as it prepares the reader in a different way each time. Lets her notice different moments, see new angles, understand other facets. A beginner might use up three knives to open an oyster as well: the first one breaks, the second one becomes blunt, the third one might open it up."
The year was also the one when my first translated book appeared in English (The Brother), The Death of the Perfect Sentence was published in Finnish by Like, and The Reconstruction in Danish by Jensen&Dalgaard. So I appeared at the Ordkraft Book Fair in Aalborg, at the Helsinki and Turku book fairs and also toured Finland during the Estonian Literature Week. Academically, I participated in a workshop on Shinran, Heidegger and Levinas at the University of California (Berkeley) and the East-West Philosophers Conference at the University of Hawaii with a paper on Dōgen's views on nature, did a keynote speech at a Japanese Studies conference at the Open University of Hong Kong as well as gave a paper on Karatani's political philosophy in a workshop at the Chinese University of Hong Kong. The Revue Internationale de Philosophie published a piece by me, a critical reading of Zygmunt Bauman's views on multiculturalism. Most importantly, however, I organised a "meeting of philosophies", supported by the Toshiba International Foundation, where specialists of various aspects of Western philosophy (from pre-Socratics to Deleuze, neurophilosophy to quantum theory) and Japanese thought came together to discuss their similarities and differences. As we came to agree, there are more of the former than the latter.